The self-referencing bug that keeps affecting asemic horizon is actually two problems. One is the apparent constant need to revisit the space opera (the accumulating backlog of technical paraphernalia) for new readers, which by now has become an accumulation of explainers, each gradually becoming out of date with the current emphasis given to theory. The other problem is our seeming inability to perform an actual reboot — a hard archival of past texts in favor of a new beginning, a new approach to the core themes that, as a bonus, lets go of the dead-ends of the past

Then: these two problems are both editing problems. An audit of the asemic horizon‘s backlog reveals texts that tend to start either with chatty introspection in the style of what you’re current reading; that typically leads to a hook, which leads to a section II that’s clear in purpose. The theoretical import of the texts isn’t usually found until the last 1/5 of the material, and even then, in the kind of excited, near-vatic discourse that makes absolutely no sense unless you’ve committed to the #longform that precedes it.

A minority of texts has the opposite approach: they start dropping bombs that are fully unmotivated by anything of current interest to the reader. Most of these end up being retired not long after — accumulating statements like “a squegg is a square egg” is the opposite of theory — it isn’t la atteinte. A notable counter-example is The Wave, which for most purposes I still stand by.

Unfortunately, a significant degree of logorrhea is intrinsic to my technique. Have you noticed that sometimes words like “accumulating” start accumulating in a kind of a connotation slide? That’s intentional — and integral to what it all means.


An exception made for that last comment on the deliberateness of style in theory writing, everything I just said gives the vibe that theory isn’t really under my control. This is a fair assessment. As much as I’m an independent-scholarly, margin note-writing type with overflowing wall-sized bookshelves, theory (and this is clear to anyone who reads the scholarly literature regularly) is not scholarly in style at all. There is no method: the texts pretty much write themselves,

But theory is not a kind of #longform poetry: more than internal rhymes, it has an internal mechanism. The cogs of this mechanism are words; this is why the jargon and the cant of theory keep growing indefinitely fast, but also why texts can never seem to follow a general plan, however vague, that would be intended in advance. The apparently-spontaneous (and yet inescapably determinate) internal rhyming of internal accumulations force my hand: the impressionistic analogy would be that, in the act of writing, the knitwork texture of the text begins to clasp on itself. This is, of course (but not that I knew of this before making my coffee) the impressionistic analogy of the point de capition.

Of course, this is enough of a match to be a dead-end: theory (or daygame, or corporate strategy) thrives on mismatches and productive misunderstandings. The interesting mismatch here is that of passive structural coherence with agency. And no, theory is not alive, but doesn’t this madcap suggestion vibe with the whole phenomenology of work that does itself? The false matches here have to do with constraints: one can no longer make theory crystalline and widely accessible (so I can take it on the road with podcasters, for example) than one can stretch a puppy to the desired format. The passive structural coherence of knitwork is not exactly sturdy, physically, but it can be indefinitely reconstructed (knitting is rather easy); the structural coherence of theory is messy like a living organism.


One of many reasons to keep Lacan is to understand + imitate + master is his basso continuo technique of sliding disavowal. This disavowal is understated and never presented as a real cut; being a single vatic source of knowledge, Lacan never faces the Kuhnian forces that produce “paradigm shifts” as breaks with a vested status quo — instead, the mirror stage and the Borromean knot are presented as one. I’d like to possess this technique: never really break with corny past writings like The Scenarios of Ecstasy (which tries to be seedy-clickbaity, polemizes against accelerationism, and still manages to move theory forward); rather restate them, possibly making fundamental changes in its core concepts. This dynamic operational doctrine for theory is not without its frictions with the limit-concept (generic structure + general axiology) tone of theory, but ça marche.

Of course, Lacan has a double head start: on the one hand, because people start with the conviction that psychoanalysis makes any kind of sense in the clinical setting (it doesn’t; Lacan is best read as a special rapporteur on alien civilizations); on the other, because he begins (and dies) while claiming continuity with Freud. I can’t do this latter; not with Deleuze, not with Heidegger, not with Lacan. If theory is to be received as an ever-growing, never-to-be-born embryo, it wil be as a pathological case of parthenogenesis. And yet, I can’t be sole parent here — to impossible-to-ignore degrees, theory writes me.


As it stands now theory has very few “building blocks”. Theory defines itself as a reaching gesture towards infinity, the theory of the theory of the… Still, the space opera is a load-bearing structure; the basic difficulty with asemic horizon is that the visibility of this structure is not quite aligned with its load-bearing power.

Ambit is a much more fundamental concept than the whole soteriology (the Hölderlin story); whatever we mumbled about McKenosha or, cringe, about faux-lesbians that cater to the male gaze, should really be retired, taken offline, never referred-to again. Why did ambit emerge so recently? Where was my mind? Tempo is more often referenced, but its theoretical development is spread over three texts, each of which has a whole different context as an opening. Quability has gone through more mutations than we can count (although in this case I think we’ve been able to effect some of that sliding-disavowal abra-cadabra); it remains a binary star with the Situation, which by now has lost much of its Heideggerean baggage. The central role of axiologies has become clearer and clearer with time — perhaps the singular notion that renews my faith in theory again and again and again (even if “larger” and “smaller” axiologies have to be revisited in terms of distinction and discernibility). But I don’t even know how to link to my own past writings anymore. Googling “this concept” works.

I set out to write an essay that would look like an extended version of this last paragraph. Did I suspect it could evolve into yet another methodological meditation on theory itself? Sure. Have I lost readers that expected an embryo to be born by now? I happen to know, specifically, that yes. This is good. I haven’t enough followers to have a “core” that will stay through the process of sliding disavowal — therefore, it’s imperative to lose old readers and gain new ones. There’s a song by either Marilyn Manson or NIN (or maybe Slipknot?) that says “everything I give you is a piece of my death”.

That is how the limit-concept of theory works — most importantly, General Axiology — theory wins by erasing me (also you; society; distinction; discernibility — but I’m the one pushing this forward).

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